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Robert Mouawad, borsa più costosa al mondo in vendita a Dubai

November 19, 2011 Leave a comment

Dopo avervi parlato all’inizio dell’anno di questa nuova creazione di Robert Mouawad, entrata nel Guinness dei Primati come la borsa più costosa del mondo, eccoci ritornare nuovamente su di essa.
Questa preziosa borsa in diamanti, infatti, dopo essere stata in mostra per diversi mesi in molti paesi del mondo, è ora in vendita a Dubai, presso la Mouawad 1001 Nights Diamond.
Ricordiamo che, questa particolare borsa a forma di cuore, è ricoperta da ben 4517 diamanti, per un totale di 381.92 carati, tutti incastonati a mano dal talentuoso designer, per un risultato unico quanto prezioso.
Quest’accessorio, che per ora sta facendo gola a numerosi collezionisti e appassionati di gioielli, è in vendita al prezzo di 3,8 milioni di dollari.

Fonte: GoLook.it

Christian Dior, la femminilità ha la forma di un fiocco

November 18, 2011 Leave a comment

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I fiocchi per Dior sono come le perle per Chanel, un portafortuna, un simbolo, l’essenza della maison, e per chi li ama è un piacere ammirarli avvolti intorno alle bottiglie di profumo, al collo di un modello bellissimo, ma anche sulle scarpe. I sandali che vi presento oggi sono stati tra i più chiacchierati delle collezione A/I 2011/2012, all’apparenza ricordano un modello di Louboutin dal nome impronunciabile, Toutenkaboukle, ma  l’effetto finale è estremamente romantico, nonostante il platform e la maxi fibbia a vista.

Fonte: Shoeplay

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Maurice Lacroix Masterpiece Roue Carrée Seconde, mechanical technology

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Success breeds success. Last year, Maurice Lacroix set a cat amongst the pigeons in mechanical watchmaking by developing a square wheel mechanism – the first in watchmaking history. Quite apart from its sheer aesthetic appeal, it introduced a whole new way of marking the passage of time. This year, Maurice Lacroix’s Roue Carrée offers a fresh angle on the passage of time, by focusing on the seconds display. As a result, the Masterpiece Roue Carrée Seconde is a truly fascinating spectacle to behold.
Designed by watchmaker and engineer Michel Vermot in collaboration with the Haute Ecole Arc du Locle, the square wheel mechanism has taken years to perfect. As the gear profiles of non-circular wheels cannot, by definition, be regular, the principal challenge was to define the shape of the teeth in order to ensure constant power transfer. The wheels were made using LiGA technology – a revolutionary process that combines the techniques of photolithography and electroforming to make high-precision micro-components that cannot be made with traditional machining methods.
The eye is mesmerized from the very first glance by the hypnotic movement of the Masterpiece Roue Carrée Seconde. The small-seconds display comes to life before your very eyes thanks to the steadfast, rhythmic movement of the square wheel with its geometric openwork. Its prominent phosphorescent corners serve as a reminder of time’s constant march onwards. The square wheel, whose corners and contours mesh with the same precision as its circular counterparts, is activated by a toothed clover-leaf wheel and turns continuously to create an extremely dynamic visual effect.
In order to leave the seconds hand firmly in the spotlight, the hours and minutes are indicated by a simple central hands coated with Superluminova. A power-reserve indicator at 3 o’clock adds balance to the picture. The hours, minutes and power reserve are displayed directly on the main plate, which serves as the dial. The watch’s readability is enhanced by its Grand Colimaçon (or snailed) black or rhodium finish, which makes the indicators literally glow, while the alternation of satin-brushed and polished finishes adorning the 43 mm steel case showcases its silhouette to perfection. A large sapphire-crystal case back reveals the refinement of the ML156 mechanical movement, decorated with Grand Colimaçon in finest Swiss watchmaking tradition.
The Masterpiece Roue Carrée Seconde – an unprecedented fusion of technology and talent – encapsulates the philosophy of Maurice Lacroix and its Masterpiece collection. A philosophy in which engineering and beauty dovetail to challenge the boundaries of design, in an attempt to change the very face of time. Resolutely masculine and eminently technical, this new item – a contemporary watch that breaks with preconceived ideas to stay ahead of its time – confirms the brand’s status as expert innovators. Galvanizing the most technical of watchmaking skills, it offers time a new lease of life.
Engineer and watchmaker Michel Vermot has taught at the Haute Ecole Arc, located in Le Locle (Switzerland), for 20 years. A specialist in mechanical and electronic watches, he has managed many industrial mandates in the framework of his role at the HE-ARC. He now runs the Movement Development Department at Maurice Lacroix.

Movement – ML 156 mechanical movement, hand-wound. Developed in collaboration with HE-ARC, manufactured and assembled by Maurice Lacroix. Design patented (square wheel / clover leaf). Vibration – 18,000 vph, 2.5 Hz. Power reserve – 45 hours. Jewels – 34. Adjustments – 5 positions after full winding and after 24 hours. Decoration – Grand Colimaçon, rhodium finish.
Movement Bridge / Dial – In keeping with the Masterpiece Régulateur Roue Carrée (*) design, the dial has been created on the main plate of the movement itself and is decorated with a large “Grand Colimaçon”. The square wheel and clover leaf mesh to transfer power with the same precision as the cogs in their circular counterparts; in addition the wheel is used to indicate the seconds. The hours and power-reserve indications are engraved on the main plate. Dial available in black or rhodium. The square wheel and clover leaf are highlighted by a circular opening on the movement main plate itself, decorated with a sandblasted background.
(*) Limited Edition launched in 2010.
Hands – Trailing square wheel for the seconds display, circular satin-brushed finish upper part and polished circumference, seconds pointer coated with white C1 Superluminova (blue luminescence). No visible rotation axis. Diamond-polished and faceted hours and minutes hands, coated with white C1 Superluminova (blue luminescence). Diamond-polished and faceted power-reserve hand.
Functions – Hours and minutes indicated by central hands. Small-second display by square wheel at 6 o’clock. Power-reserve hand at 3 o’clock.
Case – Steel, Φ 43 mm, satin-brushed and polished finish. Domed sapphire crystal with anti-reflective coating on both sides. Screwed case back with wide sapphire crystal. Water-resistant to 50 m / 5 atm.
Strap / Bracelet – Large-scale black crocodile-skin strap, lined with black calfskin and black over-stitching.
Buckle – Folding steel clasp with push buttons. Satin-brushed and polished finish.

Source: Maurice Lacroix

Fonte: Luxury & Fine Timepieces – Facebook

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René Caovilla, ancora pitone per la primavera 2012

November 16, 2011 Leave a comment

Se è vero che il serpente è uno dei suoi simboli è altrettanto vero che il Cavaliere del Lavoro René Caovilla ama utilizzare la pelle di rettile per le sue calzature preziose, e la collezione P/E 2012 non fa eccezione; il modello che voglio analizzare oggi è di una bellezza a dir poco imbarazzante, se la pelle non fosse vera avrei già iniziato a risparmiare per acquistarli, giuro!

Il modello è molto semplice, è la scelta cromatica ad avermi conquistata, mi piange il cuore a dirlo ma le tonalità di viola e verdi vibrano in modo particolare sulla pelle di pitone, se avessi la possibilità commissionerei al mio amato René un sandalo identico ma in ecopelle, non sarebbe fantastico? Importante la broche gioiello a forma di fiore appuntata sulla tomaia, che richiama i colori della pelle: non avrò mai il coraggio di infilare il piedino in questo sandalo, ma trovo che sia originale e davvero molto chic, una ventata di freschezza in un panorama di tacchi massicci e calzature da trampoliere.

Fonte: Shoeplay

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Christian Louboutin, trasparenze sensuali per la primavera 2012

November 14, 2011 Leave a comment

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Qualche anno fa c’è stato il boom delle scarpe con dettagli in pvc trasparente, l’onda ha conquistato anche un’insospettabile come Miuccia Prada, e recentemente anche Louboutin ha rinunciato ai tessuti mesh, simili al nylon con cui si fanno le calze, in favore di un materiale meno traspirante ma altrettanto nudo come il pvc.

Queste decolletè fanno parte della collezione P/E 2012, si chiamano Bis en Bout e sicuramente faranno impazzire le star, già immagino la versione neon gialla ai piedi di Rihanna.

Il modello di base è il mio preferito, la classica decolletè  Pigalle modificata in una versione cap toe con doppio cinturino alla caviglia: i profili trasparenti sono molto sensuali perché lasciano scoperto il piede, ma non so quanto sia bello vedere la pelle respirare e appannare la scarpa. Per le più aggressive c’è anche una versione in pitone con borchie appuntite, come vi sembrano?

Fonte: Shoeplay

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Giorgio Armani, nuova collezione di occhiali in oro e corno di bufalo indiano

November 11, 2011 Leave a comment

Giorgio Armani presenta una nuova collezione di occhiali, da vista e da sole, in cui per la prima volta ha fatto uso di pelli esotiche e metalli preziosi.
Tra le scelte più stravaganti dello stilista italiano, troviamo il mix di materiali fatto nel modello di occhiali Aviator, caratterizzati da una montatura in oro 22 carati con dettagli in corno di bufalo indiano; il modello in questione ha un costo di 1.350 dollari, ma non è certo l’unico della collezione a godere della presenza di materiali esclusivi. Ci sono infatti dei modelli più classici con montatura in metallo e dettagli in pelle di rara qualità, dal prezzo di 375 dollari.
La nuova collezione di occhiali, che prende il nome di “Anniversary eyewear capsule collection”, è stata realizzata in occasione dei 30 anni della linea Emporio Armani e, tutti i modelli, sono disponibili sia da uomo che da donna, tutti realizzati in edizione limitata di soli 1.030 pezzi, perlopiù personalizzabili a seconda dei propri gusti.

Fonte: GoLook.it

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Ann Demeulemeester, paraboot in vitello e olio

November 11, 2011 Leave a comment

Ann Demeulemeester sa sempre stupire ed emozionare, una perla per appassionati  questo paraboot, una preview del prossimo autunno inverno 2011. In vendita a 1139 €.

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Moreschi, special edition in Swarovski Elements per Natale 2011

November 11, 2011 Leave a comment

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Eleganti riflessi e scintillanti giochi di luce ispirano le scarpe da sera delle collezioni Moreschi.
Grazie all’applicazione di SWAROVSKI ELEMENTS e a tecniche di lavorazione di altissima artigianalità nascono le Special Edition Moreschi per Natale e Capodanno. Per chi ama stupire e farsi notare. Con i cristalli ai piedi. Scarpe gioiello total black, con SWAROVSKI ELEMENTS che applicati a mano ricoprono il tacco e illuminano ogni passo, trasmettendo voglia di festa dall’alba al tramonto. Una grintosa decolleté spuntata in vitello nero e un seducente sandalo T-bar in lucida vernice, due dei modelli della pre-collezione Moreschi in anteprima per Natale e Capodanno. Per una Cenerentola glamour che vuole ballare anche dopo la mezzanotte.

La collezione ‘Stefano&Mario Limited by Moreschi’, che da sempre reinterpreta con pellami pregiati e dettagli ricercati le calzature maschili, per il Natale 2011 trasforma la pantofola da smoking e la veste di SWAROVSKI ELEMENTS.
Dalle diverse combinazioni nascono scarpe uniche. Perfetta per chi vuole osare e stupire la versione interamente ricoperta da pavé di SWAROVSKI ELEMENTS, per chi invece ama un’eleganza discreta e sofisticata ma con un tocco di ironia ecco la pantofola in velluto con SWAROVSKI ELEMENTS rossi.

Fonte: BlogModa

Blade, décolleté tacco lama vetiginoso di Casadei

November 9, 2011 Leave a comment

Oggi ho avuto la brillante idea di entrare in un negozio che vende anche Casadei, e ogni certezza è crollata davanti al modello Blade spuntato, in pelle nera opaca: stupendo, semplice ma con l’audacia giusta che solo il tacco-lama può donare. Ho trovato solo la foto del modello con plateau, immaginatele senza e in una tonalità più classica. Sì, costano tantissimo, quasi 500 Euro. Ed è vero, quel tacco a lungo andare stancherà.

Fonte: Shoeplay

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Audemars Piguet Jules Audemars Extra-Thin, exceptional timepiece

In 2011, Audemars Piguet has entirely reviewed the fundamentals of the Jules Audemars collection, its moon-phase calendar and dual timezone models, as well as its simple selfwinding watches including those with a date display. The Jules Audemars extra-thin watch houses one of the world’s thinnest selfwinding movements measuring just 2.45 mm thick. Its slender case, streamlined bezel and pure dial generate genuine emotion of the kind surrounding objects that are built to last, because this timepiece is endowed with that special something that is in fact the natural elegance of authentic classics.
A region, a culture: a collection
The models in the Jules Audemars collection represent the very roots of Audemars Piguet. This collection tells the story of an exceptional place and some exceptional people. The place is the Vallée de Joux, and the people are those who have nurtured Fine Watchmaking in this remote region. Well before the timepieces from this valley were exported to the four corners of the world, everything was already in place. From the mid-18th century onwards, alongside the farming work they undertook during the summer, the local population devoted many hours to building watch movements. They spent their long harsh winters at the workbench in order to fulfil orders from Geneva-based companies. They later began making their own movements and entire watches. The boldest of them founded manufactories, or Manufactures as they became known.
The men of the Vallée had thus acquired the ability to conduct the entire process, from design through to production, using hand-craftsmanship techniques. This dexterity, this manual know-how was handed down from generation to generation. Today it is accompanied by technological progress and semi-industrial-scale production, and yet the watches nonetheless embody deeply rooted origins and culture.
Jules Audemars and Edward Piguet became officially associated in 1875 and created the Manufacture Audemars Piguet. Both were watchmakers and accomplished masters of their chosen profession that they cherished and constantly perfected. Building on their knowledge, they played a pioneering role and took up the challenge of making entire watches under one roof. The company they established has been active ever since and has remained in the hands of the founding families.
The Jules Audemars collection pays tribute to this firm by bearing the name of one of the founders. It recounts this legacy and is imbued with a profound awareness of its heritage yet without any sense of nostalgia. It reinterprets the past with a contemporary vision. Its quest is focused on simplicity and a refusal of anything superfluous or purely ornamental. This unaffected simplicity is indeed what makes it both naturally elegant and unmistakably modern.
Absolute elegance, inside and out
The round case is an archetype that tends to make one forget that the circle is the perfect shape par excellence. By opting for an extremely slender bezel, the Jules Audemars extra-thin reveals the full measure of its innate nobility. The white gold case appears light and almost ethereal. This narrow bezel ensures a maximum dial opening. Only the applied pink gold baton-shaped hour-markers and hands stand out against the decidedly understated silver-toned background. Not even a minute circle disturbs this epitome of formal purity.
The case owes its clear-cut, sleek lines to the ultra-thin selfwinding movement within: Calibre 2120. Measuring just 2.45 mm thick, including the thickness of the oscillating weight, it is indeed one of the world’s thinnest self-winding movements. Audemars Piguet’s efforts to reduce the thickness of its movements began at an early stage in its history, and were already rewarded in 1946 with the hand-wound Calibre ML measuring just 1.64 mm thick. This was followed in 1953 by the skeletonised ultra-thin Calibre 2003. All that remained was to apply this successful approach to a selfwinding movement, a feat achieved in 1967 with Calibre 1967 and stemming from cooperation between several prestigious companies. It has since been constantly perfected. Its enduring appeal lies in an atypical, modern and refined nature. In addition to its extreme slenderness, it boasts the ingenuity of its winding system and of its balance-wheel adjustment.
One of the distinctive features of this Calibre 2120 is its rotor fitted with a 21-carat gold oscillating weight. This weight serves to drive the winding system in such a way as to keep the barrel at an ideal level of performance. The mainspring is able to supply its energy in a constant manner and thereby has a positive influence on rating procession. Enhanced performance was also the concern that motivated the choice of a central rotor rather an integrated mini-rotor. The barrel stands out from certain others in that it is as if “suspended”, held only by the barrel bridge. It ensures a 40-hour power reserve, a noteworthy achievement in light of the thinness of the movement and the construction of the barrel. The movement can be wound in either direction thanks to a reverser. To keep the movement as thin as possible, the oscillating weight is not equipped with a ball bearing mechanism and the endshake is guided by a peripheral ring rolling on four jewelled runners fixed to the mainplate.
This system makes a highly distinctive noise during the rotation of the oscillating weight, a sound that will delight connoisseurs. The heart of the movement is a variable-inertia balance with six inertia-blocks that ensure more stable long-term rating. It is equipped with a flat balance-spring and beats at the rate of 19,800 vibrations per hour.
Calibre 2120 is also remarkable in terms of the extreme care lavished on crafting it. Manually assembled and decorated in the company workshops in Le Brassus, it is distinguished by the exceptional quality of its execution and finishing. The bridges are meticulously bevelled and polished so as to feature only cleanly-cut, gleaming edges. The jewel sinks are diamond-polished. The wheels have bevelled spokes and diamond-polished sinks. Even the screw rim and slots are bevelled. The mainplate is circular-grained on both sides – with two different diameters of circular graining so as to accentuate the depth effect – and the bridges are adorned with Côtes de Genève. The beauty of the oscillating weight, which is openworked to form the “AP” initials, sets the crowning touch to the decoration of this calibre.
Those who appreciate rare objects will marvel at this meticulous finishing work in admiring the movement through the sapphire crystal case-back. They will rediscover the pleasure of the infinitely small details that one keeps to oneself. And finally, in the Jules Audemars extra-thin watch, they will recognise the force of character capable of withstanding the changes of time and which represents the enduring strength of authentic great classics.

Movement – Proprietary ultra-thin, selfwinding Calibre 2120. Total diameter 28,40 mm (12 ¾ lignes). Casing diameter 28 mm. Thickness: 2.45 mm. 37 jewels. 214 parts. Power reserve – up to 40 hours. Cadence of the balance – 19,800 vibrations per hour (2.75 Hz).
Finishing – All parts finished by hand; mainplate rhodium-plated, bevelled and circular-grained; bridges adorned with Côtes de Genève.
Functions – Hours and minutes.
Case – 18-carat white gold. Diameter 41 mm. Thickness 6.7 mm. Water resistance – 20 m. Sapphire crystal.
Dial – Silvered with applied pink gold hour-markers. Pink gold hour and minute hands.
Strap – Hand-sewn black crocodile leather with large square scales, secured by an 18-carat white gold pin buckle.

Source: Audemars Piguet

Fonte: Luxury & Fine TimepiecesFacebook

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